视频简介
延續「納米無明火」的貼地和好心地，出走東京，見証更離奇、更熱血的東京人追夢故事！節目結合睇樓、旅遊、日本文化元素。納米樓雖小，但屋主的「東京夢」卻無限大。日本人、甚至世界各地的人為了追夢紛紛「上京」打拼，但五光十色的東京卻有嚴重的土地問題：在人均約二百呎的居住空間中，很多都廚廁不全，有新晉女團要在廁所煲飯、有鼓手因為屋企沒有浴室，苦中作樂創作出「沒有浴室」一歌、屋主們如何在有限空間，創造無限可能？。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。The movie is based on the suspense short film nominated for the Golden Méliès to the Best European Fantastic Short Film, winner of more than 30 awards and screened by more than 200 film festivals. It was defined by the critics as "a cult short film".。
