视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。在猫经营的拉面店·拉面赤福工作的主人公·珠子和猫们的日常生活工作故事！ 来该店面试的珠子，被猫店长问到喜欢猫还是喜欢狗，诚实地回答喜欢狗，结果很爽快地被录用了！ 然后珠子被委托的工作是照顾猫猫……。一对情侣外出度假，入住豪宅，然而，当他们半夜醒来，却发现自己躺在一个处处充斥着恐怖氛围的荒弃诡宅中……他们意欲逃离，然而却始终逃不出去，努力奔逃，但逃往的地点却还是这所诡异的荒宅……更恐怖的是，当他们再度回到这座诡宅，却发现，时间跟他们走出去的时间，一样……。
