视频简介
聖霊のジバクくんを授かった少年のコミカルファンタジーアドベンチャー。「南国少年パプワくん」の柴田亜美の同名人気コミックのＴＶ化。監督は「MAZE★爆熱時空」の鈴木。爆は12の世界の中の“１の世界”の住人。いつか、各世界に１人ずつ存在するというモンスター退治の専門家ＧＣ――グレートチャイルドになるのが目標だ。しかし、その願いはあっさり叶う。ひょんなことから現ＧＣに見こまれて、新ＧＣに任命されたのだ。驚きつつも、聖霊のジバクくんを授かった爆だったが…。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
