视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。一只训练有素的狗狗阿宝与深爱他的主人在一起幸福而平静的生活着，他们的小区里有着形形色色的狗邻居。直到有一天阿宝遇到了狗妹妹嘉嘉，阿宝情不自禁的坠入情网，开始了和嘉嘉一段浪漫的爱情生活。可这一切随着一只流浪狗的出现被打破了。嘉嘉被流浪狗描述的天马行空、自由自在的流浪生活所吸引，决然离开了阿宝和主人去体验流浪的刺激。阿宝为了寻找嘉嘉也不顾一切的离开了家园。走出家门的嘉嘉很快就发现流浪并不象想象的那样有意思。离开主人的生活寸步难行，险象环生。在寻找嘉嘉的过程中阿宝经历了千辛万险，最后在流浪狗的帮助下从狗贩子手中救出了嘉嘉，重新开始了他们的幸福生活。。影片表现了美国一个普通家庭敦兰普一家的生活状况，以敦兰普夫妇的婚姻作为主要线索，详尽展现了结婚15年的敦兰普夫妇的感情如何由最初的融洽热烈到后来的冷淡疏离，直至最后的破裂。在这个令人痛苦的过程中，敦兰普夫妇各自有了自己的情人，并从情人那里找到寄托和安慰，当他们尝试着各自走自己的道路时，嫉妒和苦涩将他们连接在一起。而他们的四个女儿同父母的关系也逐渐恶化，并对父母的分手持不同的看法。。
